With Mel Gibson's movie The Passion in production and an adaptation of the Gospel of Matthew hitting theaters, Jews are far from united in their reactions to the films:
Much of the media coverage has focused on the conflict between Gibson, who belongs to a traditionalist Catholic sect opposed to Vatican reforms in general, and some Jewish figures who warn the film will stir anti-Semitism by splicing together the most anti-Jewish portions of the New Testament gospels with extra-biblical writings of mystics who blamed all Jews for the crucifixion.
Now that debate is turning inward, as Jews point fingers at one another over the way they have dealt with Gibson and argue over just how Jews should deal with Christian portrayals of the Jesus story in popular culture.
The internal conflict over the Gibson movie, meanwhile, comes amid Jewish disagreement over the release of yet another movie about Jesus, “The Gospel of John,” which some Jews are calling a more sensitive portrayal of events.
Observant Jewish film critic Michael Medved sees a reason for the Matthew movie getting a pass:
Medved said the ADL’s praise of the lesser-known Jesus film showed the “tremendous hypocrisy” of Jewish organizations.
While the credits in “The Gospel of John” were laden with Jewish names, Medved said, Gibson “made the mistake of not inviting that kind of Jewish participation.”
Foxman, however, dismissed Medved’s criticism. He said the ADL’s assessment of “The Gospel of John” had nothing to do with its Jewish credits.
“We don’t look at the names,” he said, noting that he didn’t even know there were Jews associated with the film.
Wink, wink, nudge, nudge. Say no more.
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